... we just couldn't bear to watch, even though I suspect that it's a very good one: The Savages. It had been sitting on our Netflix shelf for a few weeks, neglected for reasons unknown to myself but better known to Ellie, who had read about it, and we took it down last night and slipped it into our DVD player. Twenty minutes later, we pushed the eject button on the remote. Too raw. Too close to the bone. It nettled all our fears about growing old and dependent on others for our care.
I understand that the movie is really about the brother-sister relationship between the younger characters, but the first twenty minutes, at least, were devoted to their aging father and his "girlfriend," who in one memorable early scene sits rigid in front of the manicurist who is pandering to the last vestiges of her vanity. "Very sexy," the manicurist declares, delighting in the color she has just applied to a fingernail and looking up at the wrinkled face in front of her... just as the old woman topples over and dies. Ah, eros! Ah, thanatos! The old man, her boyfriend, the father of the squabbling siblings at the center of the story, is rapidly approaching dementia. Incensed by the insolence of his care-giver in scolding him for not having flushed the toilet, he returns to the scene of the crime and smears the word "PRICK" in his own feces on the bathroom mirror.
We did not reach for the remote, however, until the scene where the old man is strapped by airline officials into a wheelchair to be loaded unceremoniously onto the airplane to return him from Sun City, Arizona, to the nursing home facility his son has chosen for him. (Great exterior shots, by the way, of the Sun City location: curiously symmetrical homes and landscaping, almost surreal, overly bright, and distinctly scary.) Caught short on the plane, the irascible old geezer preremtously yells "Bathroom!" at his accompanying daughter, and again, "Bathroom! Now!" Struggling with tiny, painfully slow steps down the narrow aisle in the crowded plane, both he and she are ignominiously shamed as his pants fall down around his ankles amid the pitiless stares of fellow passengers.
Well, it happens to be my birthday in a couple of days. Not a Big One--no zeros. But the first number in the double digit figure is higher than I'd like it to be. A friend pointed out yesterday at the gym that she still manages to feel young when the second digit is a low one, as mine is. A nice conceit. Still, I have been feeling the weight of years. I notice that my steps are sometimes slower, lacking the energy of youth, and I consciously make the effort to appear more sprightly. I notice with aggravation that those things I liked least about myself--my impatience, say; a tendency to testiness--become more pronounced, and harder to contain. I think much more often about the inevitable end of life. My greatest fear about growing old is the dependency depicted in that movie, the loss of simple dignity, the need for others to take care of me, prop me up when I walk, feed me, clean up after my eliminations...
Which is why the most meaningful part of my metta practice, the first and last moments of my daily meditation, is that line from the chant on the sublime attitudes that comes after "May I be happy" and "May I be free from stress and pain": May I look after myself with ease. It's not often that a film is just too intense for me, but this one was. I never even learned the end of the story--a loss that, as those familiar with The Buddha Diaries know, is a serious one for me. But at least a fine metaphor for the experience of life itself, whose end we are rarely privileged to know.
I'm sure I'm not alone in any of these feelings. I'm hoping you might share your own...
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