Congratulations all around, and great admiration for Sierra's new ring!
After another excellent breakfast, I had ample time for a change to return to our room and take care of the blog before heading out to meet our friend Leo at the art college where he teaches—and where he is included in their current faculty show. Here’s his contribution…
… a poor photo, I fear, but one of his best paintings ever. The monkey has been an omnipesent metaphor in his work for as long as I can remember, a trickster with a mischievous suggestion of racial insult and the echo of an old aristocratic tradition of the monkey as court jester and sexual provocateur. The swimmer is a portrait of Leo’s wife, Carol, floating in a kind of ecstatic contemplation of the spatial infinity suggested by the imponderable depth of water and the immeasurable distance of its horizonless surface. Leo has been teaching for many years and can’t wait for his imminent retirement, to spend more time in the studio. You can see why!
After bidding farewell to our friend and exchanging the best of intentions not to let another fifteen years drift by, we walked over to The Fabric Workshop and Museum, where I had imagined to find a display of textiles and a few local quilts. Not so. The museum’s current exhibit is called … and features five very impressive artists who work in a variety of media. (No pictures allowed, damn! Again, I hope you might find some at the website.) The artists included Tommy Joseph, from Alaska, who works in the ancient tribal tradition of totem poles and masks; his work includes a full suit of clothes (shades of Beuys!) designed with a Tlingit motif; Robert Chambers, with a huge, white, immaculate, elongated "Orbit Egg" and a miniature double Deere tractor, conjoined but facing in opposite direction; Bill Smith, with intricate structures made of wire, bones, beads, and odd-looking technological contraptions, some of them interactive at the touch of a finger or a breath, which challenge accepted ideas about the relationship between art, technology and the natural world; Marie Watt, who constructed a large cave out of felt, complete with stalactites and stalagmites, and the shifting video image of an actor narrating (superbly) the light-hearted fable involving the improbable couple of an octopus and a crow; and our own Southern Californian, Ruben Ortiz-Torres, with the video documentation of a large machine that combines the cumbersome, jazzy dance of the low-rider with the industrial heavy machinery of the cherry-picker and forklift. He involves us, clearly, in the meeting of Anglo and Hispanic cultures, in the mode of absurdist humor--at once hugely laughable and vaguely threatening. A great show. We loved it.
From there, we walked on, with a quick stopover at the bustling Central Market for a cup of coffee and a shared biscotto, and headed down to Philadelphia’s rich historical area. We had time only for a bow to the Liberty Bell…
… a nod to Constitution Hall…
and a perambulation of the lovely, tree-shaded gardens in the square behind...
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