Friday, July 31, 2009

How do I find a good meditation teacher?


How do I find a good meditation teacher? - Shinzen Young
Shinzen speaks to the question "How do I find a good meditation teacher." Shinzen talks about the activity of teaching as subtle teaching, descriptive teaching, and explicit teaching. Filmed at Mt. Carmel Spiritual Centre in Niagara Falls.

Youtube

Enlightened Society - Chögyam Trungpa


Enlightened Society - Chögyam Trungpa
In an open forum, The Venerable Chögyam Trungpa Rinpoche, (1939-1987) discusses a society guided by the principles of wisdom and compassion. He was a pioneer in bringing the Tibetan Buddhist teachings to North America, Europe and in 1976 introduced Shambhala.

Youtube

Early Morning Buddhist Inspiration - 7/31/2009


Smiling is very important. If we are not able to smile, then the world will not have peace. It is not by going out for a demonstration against nuclear missiles that we can bring about peace.It is with our capacity of smiling, breathing, and being peace that we can make peace.

~ Thich Nhat Hanh


The Platform Sutra of the Sixth Patriarch


The Platform Sutra of the Sixth Patriarch - John R. McRae
The Platform Sutra records the teachings of Hui-neng, the Sixth Patriarch, who is revered as one of the two great figures in the founding of Ch'an (Zen) Buddhism. This translation is the definitive English version of the eighth-century Ch'an classic. Phillip B. Yampolsky has based his translation on the Tun-huang manuscript, the earliest extant version of the work. A critical edition of the Chinese text is given at the end of the volume. Dr. Yampolsky also furnishes a lengthy and detailed historical introduction which contains much information hitherto unavailable even to scholars, and provides the context essential to an understanding of Hui-neng's work. He gives an account of the history and legends of Ch'an Buddhism, with particular attention to the traditions associated with Hui-neng, quoting or summarizing the most important narratives. He then discusses the various texts of the Platform Sutra, and analyzes its contents.

Link

Zen 24/7: All Zen, All the Time - Philip T. Sudo


Zen 24/7: All Zen, All the Time - Philip T. Sudo
If you're searching for revelation and contentment, look no further than a handshake, a cup of coffee -- even your laundry pile. The most mundane details of life contain zen's profound truths, if you're of the mind to look for them.

By awakening to and embracing the zen in your life, you'll listen, watch, eat, work, laugh, sleep, and breathe your way to truth -- every moment of every day.

Philip Toshio Sudo has found Zen in the unlikeliest of places and has written about them: Zen Guitar, Zen Sex, and Zen Computer. Now, in Zen 24/7, it's Zen everything. But if it's true that being mindful in every moment is the heart of Zen, then everything is Zen. Taking just this approach, Sudo walks readers through a full day, from alarm clock to bedtime, stopping to ruminate on how the most mundane things, from a beer to a meeting to the dry cleaners, can remind us of bits of Zen wisdom. A Zen flag reminds us that it is the mind that moves; Zen fuzzy dice remind us to flow with traffic; a Zen mall reminds us to reduce desires; Zen sleep reminds us that every day's a good day. As in the best Zen writing, Sudo's observations are breezy but packed with genuine insight. There is a bit of sly humor and lots of encouragement, as if each page were a daily affirmation. This is a book to read through once, then pick up often for reminders, especially the page on Zen shopping, which you'll want to post on your refrigerator.

Rapidshare

Don't Bite The Hook - Pema Chodron


Don't Bite The Hook - Pema Chodron
Life has a way of provoking us with traffic jams and computer malfunctions, with emotionally distant partners and crying children—and before we know it, we're upset. We feel terrible, and then we end up saying and doing things that only make matters worse. But it doesn't have to be that way, says Pema Chödrön. It is possible to relate constructively to the inevitable shocks, losses, and frustrations of life so that we can find true happiness. The key, Pema explains, is not biting the "hook" of our habitual responses. In this recorded weekend retreat, Pema draws on Buddhist teachings from The Way of the Bodhisattva to reveal how we can:stay centered in the midst of difficulty improve stressful relationships step out of the downward spiral of self-hatred awaken compassion for ourselves and others.

Demonoid

Thursday, July 30, 2009

Early Morning Buddhist Inspiration - 7/30/2009


Sometimes your joy is the source of your smile, but sometimes your smile can be the source of your joy.

~ Thich Nhat Hanh


Wednesday, July 29, 2009

Early Morning Buddhist Inspiration - 7/29/2009


The practice of peace and reconciliation is one of the most vital and artistic of human actions.

~ Thich Nhat Hanh


Tuesday, July 28, 2009

Life at the Abbey with Pema Chodron


Life at the Abbey with Pema Chodron
Pema Chödrön discusses life at Gampo Abbey.

A Western Buddhist Monastery in the Shambhala Tradition, Nova Scotia, Canada. Founded by Chögyam Trungpa Rinpoche in 1984, it is a lineage institution of Shambhala and a corporate division of the Vajradhatu Buddhist Church of Canada.

Under the spiritual direction of the Sakyong Mipham Rinpoche, the spiritual head of Shambhala International, Gampo Abbey is guided by our abbot the Venerable Khenchen Thrangu Rinpoche and our principal teacher Acharya Pema Chödrön.

YouTube

An example from a customer!


Early Morning Buddhist Inspiration - 7/28/2009


People have a hard time letting go of their suffering. Out of a fear of the unknown, they prefer suffering that is familiar.

~ Thich Nhat Hanh


Monday, July 27, 2009

Early Morning Buddhist Inspiration - 7/27/2009


Keeping your body healthy is an expression of gratitude to the whole cosmos - the trees, the clouds, everything.

~ Thich Nhat Hanh


Early Morning Buddhist Inspiration - 7/26/2009


Everyday we do things, we are things that have to do with peace. If we are aware of our life..., our way of looking at things, we will know how to make peace right in the moment, we are alive.

~ Thich Nhat Hanh


Sacred Tibetan Chants from the Great Prayer Festival


Sacred Tibetan Chants from the Great Prayer Festival - Tibetan Monks Of Drepung Loseling Monastery
An ample and well-written text details the purpose behind these ritual chants, among which a rare cycle is heard in its entirety. The remoteness of Tibet created and preserved a musical practice which is absolutely unique. For those familiar with Tibetan chanting, it will be a welcome offering to hear the chanting from this once-vital monastery. Once being the keyword, as the text underscores the genocide and destruction vented on the peaceful Tibetean nation by the occupying Chinese, a horrific tragedy which continues... The monastery, or better, its survivors, went into exile in India.

BTJunkie

Sunday, July 26, 2009

Interdependence in World Politics.

Recently American President Barack Obama traveled to Russia and with the help of his Russian counterpart negotiated a deal to reduce nuclear weapons between the two countries. For too long America has seen itself as the only important country in the world, which has bred the three poisons with alarming but predictable speed: Greed, hatred and delusion. Thankfully America now has a leader that better understands how interconnected the world is and just how destructive and counterproductive the "us vs. them" mentality can be. I thought this quote from Obama about interconnection in world affairs was refreshing talk for a political leader because politics is all too often used to exploit people, money and power:
There is sometimes a sense that old ways of thinking must prevail; a conception of power that is rooted in the past rather than in the future... In 2009, a great power does not show strength by dominating or demonizing other countries... As I said in Cairo, given our interdependence, any world order that tries to elevate one nation or one group of people over an other will inevitably fail. The pursuit of power is no longer a zero-sum game - progress must be shared.
James: A verse from the Tao Te Ching comes to mind:

If you want to govern the people you must place yourself below them If you want to lead the people you must learn how to follow them.

Tao Te Ching v.66, Paragraph 2.

Barack Obama isn't a perfect leader but it is refreshing to hear a leader speak of interconnection, interdependence and the oneness of all people and cultures.

~Peace to all beings~

Saturday, July 25, 2009

Matthieu Ricard: Habits of happiness


Matthieu Ricard: Habits of happiness
What is happiness, and how can we all get some? Buddhist monk, photographer and author Matthieu Ricard has devoted his life to these questions, and his answer is influenced by his faith as well as by his scientific turn of mind: We can train our minds in habits of happiness. Interwoven with his talk are stunning photographs of the Himalayas and of his spiritual community.

Youtube

Early Morning Buddhist Inspiration - 7/25/2009


....there is a great deal of hatred and anger and discrimination. How is it possible, in such a state, for people to practice deep looking with the aim of achieving a deep knowledge...So it is necessary to practice mindfulness- it could be Buddhist or Christian- but it is necessary to bring mindfulness to our everyday life. If you are a journalist, a teacher, or a filmmaker you should practice mindfulness- for the sake of your own calm and your own happiness, but also for that of other people as well. Because we need your calm, your compassion, your understanding. So we should be mindful as individuals but also as a community, as a family, as a nation.

~ Thich Nhat Hanh


Friday, July 24, 2009

Being Right Here

Being Right Here: A Dzogchen Treasure Text of Nuden Dorje entitled The Mirror of Clear Meaning
The treasure text of Nuden Dorje renders a very clear and authentic account of the view and essential meditation of dzogchen, the practice of nondual experience. The presentation is the Men ngag style, a personal instruction distilling the author's own realization in a manner both beautiful and deeply meaningful. Short verses show, with pithy clarity, how the various aspects of dzogchen fit together. The text provides both an authentic portrayal of the practice and a clear instruction in how to apply it.

TPB

The Sovereign All-Creating Mind-The Motherly Buddha


The Sovereign All-Creating Mind-The Motherly Buddha
This book presented the first English translation of an eighth century Tibetan Buddhist text. despite its centuries-old origin, the kun byed rgyal po'i mdo addresses themes of great concern to the present, including how to achieve a holistic world-view that integrates the peripheral nature of existence with the ground of being; and the interrelatedness of periphery and center, of individual and universe. From a contemporary viewpoint this can be seen to engender a feminist understanding of the ground of being. Unlike other Buddhist texts, the kun byed rgyal po'i mdo invites the reader to rejoice in this world as beautified and intelligible, and thus the innate purity of the intelligent potency, the motherly Buddha, will be experienced. In addition to the translation, the book also includes a discussion of the conceptual and historical contexts of the text, an examination of its leading ideas, and an assessment of the challenges related to the translation.

TPB

Uploading

Depositfiles

Early Morning Buddhist Inspiration - 7/24/2009


Relief, Peace, well-being, joy and better relations with others will be possible if we practice mindfulness in our everyday life. I am convinced that everybody can practice mindfulness, even politicians, political parties, even the Congress. This is a body that holds the responsibility for knowing the nation's situation well, and knowledge of this kind requires the practice of looking deeply. If our elected officials are not calm enough, do not have enough concentration, how can they see things deeply?

~ Thich Nhat Hanh


Thursday, July 23, 2009

Cloud And Water In Zen - Choi Kai-Shing


Cloud And Water In Zen - Choi Kai-Shing
I haven't found any info regarding this artist. It is a pleasant sounding collection of Chinese flute music. If anyone can find a Bio please let me know.


APE Music Format




Tibetan Renaissance: Tantric Buddhism in the Rebirth of Tibetan Culture


Tibetan Renaissance: Tantric Buddhism in the Rebirth of Tibetan Culture
"Ronald Davidson's Tibetan Renaissance marks a real rebirth for the study of Tibetan cultural history. Drawing on an extraordinary range of original sources, most of them previously unstudied, Davidson traces, in convincing detail, the peculiar blend of conservative monasticism, transgressive esotericism, and political and economic interest that characterized the formation of Tibetan Buddhist lineages and institutions during the early second millennium. With Indian Esoteric Buddhism, Davidson's previous book, Tibetan Renaissance completes a duet that substantially transforms our understanding of Buddhism during its last phase in India and its continuation in Tibet, an exemplary contribution to the history of religions." -- Matthew T. Kapstein, University of Chicago, author of Reason's Traces: Identity and Interpretation in Indian and Tibetan Buddhist Thought.

Early Morning Buddhist Inspiration - 7/23/2009


Drink your tea slowly and reverently,

as if it is the axis

on which the world earth revolves

- slowly, evenly, without

rushing toward the future;

Live the actual moment.

Only this moment is life.

~ Thich Nhat Hanh


Tantric Treasures: Three Collections of Mystical Verse from Buddhist India


Tantric Treasures: Three Collections of Mystical Verse from Buddhist India
Roger Jackson provides accurate, accessible translations of three classics of medieval Indian Buddhist mysticism: the "couplet-treasuries" of the great tantric masters Saraha, Kanha, and Tilopa. Since their composition around 1000 CE, these poems have exerted a powerful influence on spiritual life, as well as poetry and song, in India, Nepal, and Tibet. Jackson's fresh translations allow the poetry to shine through, capturing the sense and spirit of the poems in the original. Jackson offers a thorough introduction that deftly summarizes the latest scholarship, situating the poems in their historical context and making them accessible not only to scholars but also to students and practitioners.

Rapidshare

Uploading

Wednesday, July 22, 2009

The Way of the Hermit.

I've been contemplating lately on the role of so-called, "Hermit monks" which can still be found in remote areas of the world. We know that monasteries are the traditional venue for Buddhist monks looking to further dedicate their lives to studying and living the Dharma but what of the role of hermit monks? Well I found an excellent documentary on the lives of Chinese Buddhist, mountain, hermit, monks titled, "Amongst White Clouds." It's about an hour and a half but so worth it:
Traditionalists might argue that these monks are going "rogue" from the historic path for monks and are thus misguided. However, consider the quote from one of these hermit monks "There are many hearts in this world--the Buddha has a teaching for the heart of every being." This was spoken by a Buddhist Master said to be on the final leg of his liberation who resides in the Zhongnan mountains of China in near solitude.

The majority of these hermits appear to be well practiced in the Dharma and veterans of monasteries and thus able to better practice in a solitary environment. They are not aesthetics in the traditional, pre-Buddhist sense of total denial of food, etc., which Buddha advised against. They eat just enough to remain healthy like most monks, maintain a shelter and do from time to time visit other hermit monks to bolster each other's practice. I hesitate to say that this path is for the average Buddhist who isn't well practiced in the Dharma. For as one of the hermit monks on the mountain states, "Most of the monks here already understand the practice methods, they don't make mistakes. But you must understand the practice. If you don't, you make mistakes and that's nothing but torture."

These hermit monks seem to have reached a point in their practice where they really can't help but wander off into the woods. Historically it was quite common in Buddhist traditions (especially Tibetan Buddhism and Chinese Ch'an or Zen) for monks to wander off to a cave or isolated hut for long periods of deep contemplation. In some branches of Tibetan Buddhism this occurs, however, after about a decade of traditional, monastic Buddhist practice. In some branches of Tibetan Buddhism it is required of monks to do solo retreat for three years and three months.

There are rare cases, however, where younger monks have been recognized as unique in their knowledge, karma and practice of the Dharma to where monastery life is not much of a challenge. In some rare cases it is a distraction for them to further their practice. So sometimes the abbots of those temples send them off to do a solo retreat. This usually is done with an older hermit monk at first but just long enough to get acclimated to the environment/way of life and then they're on their own. Thus the quote about Buddha having a teaching for the heart of every being whether they are an abbot, a senior hermit monk, a younger hermit monk, a novice monk or a lay person.

These men (and one woman--a nun) in this documentary have come to the place where solitude is required to enable their level of near constant meditation and mindful living. Isolation is a very strict, strong and effective teacher in that it forces one to confront that in the end you can't rely upon anyone else for your liberation. Even your fellow monks and practitioners. In practicing the Dharma in isolation one is forced to be with one's thoughts with nothing much to distract oneself from them day and night. The neurotic mind has little to manipulate out of the hermit monks life as silence and raw, naked, confrontation of nature exposes it's futility. Everyday actions take on new meaning when one has no one or no thing to rely upon to distract one from not just practicing Buddhism in general but total, complete, consuming submersion in mindfulness.

Some say they they wander off because they are near enlightenment and therefore where ever they go they are where they need to be. The lessons of mindfulness, of total immersion into mindfulness have carried them outside the monastery walls to reside in the monasteries of old--the forests and mountains. These locations are Earth's first sacred sites and some of the most pure, inspiring and liberating places. It was under a tree, in solo retreat after all where Buddha finally realized liberation.

For these practitioners the spirit of the monastery/sangha travels with them where ever they go. The monastery is everywhere to them including deep in nature where birds, monkeys and other animals are their teachers and fellow practitioners. As well as the trees, caves, waterfalls and rivers. And from time to time many of these hermit monks meet up with one or more other hermit monks in the area to discuss their practice with each other and stay on track. In this documentary the monks in these Chinese mountains are roughly an hour and a half to one day's hike away from each other.

I don't see them as radicals, rebels, misfits or heretics but rather as highly evolved spiritual beings who have reached the point of no return in their quest for final liberation. They seem to have come to the conclusion that monasteries can sometimes become havens for stagnation where it can be easy for some to become lulled into a state of spiritual materialism and spiritual laziness. Not unlike the tendency for some students at universities to stay in school for the socializing and status instead of the learning and growing aspects. So It's as if monasteries are universities for Buddhism where most monks are working on their undergraduate degree.

Whereas hermit monks are doing graduate and post-doctoral work, which is often undertaken independently that usually involves study outside of said universities, in the field so to speak and that means these "students" don't interact with the undergraduate students as much. I would venture to guess that a good majority of these hermit monks come back down after a few years of solitary practice to teach at a monastery. Not unlike a post-doctoral graduate returning to their university to teach undergraduates as a professor. Some, however, have been up their for numerous decades are will most likely die on those mountains and in doing so merge into parinirvana.

In "Amongst White Clouds" I really was inspired and educated by the hermit nun up on the mountain who quoted the Lengyan Scripture, which says in part, "Though there are words to speak, none of these are real. Talk and talk, like flowers falling from heaven--It's all worthless. So there is really nothing to say." This was an appropriate statement because it seemed many of the hermit monks didn't have much to say but their shining eyes and broad smiles sure did. One monk said after the camera man asked another question (and I'm paraphrasing a bit) "I've been talking all day with you and still you want more words?"

This same nun said, "All of the great masters, if they hadn't endured some hardship they wouldn't have opened their wisdom gate." I really connected with that particular insight as my hardship with mental illness is in large part what led me to Buddhism. Of course I'm not a Buddhist master but either way there is great wisdom to be adopted by all who follow the Dharma in that statement. No creation, no destruction.

Finally, consider these thoughts from the man [Red Pine] who wrote the book on these hermit monks, which inspired another man to do this documentary, "Amongst White Clouds":
I’ve never heard of any great master who has not spent some time as a hermit. The hermit tradition separates the men from the boys. If you’ve never spent time in solitude, you’ve really never mastered your practice. If you’ve never been alone with you practice, you’ve never swallowed it and made it yours. If you don’t spend time in solitude, you don’t have either profundity or understanding — you’ve just carried on somebody else’s tradition.
~Peace to all beings~

Early Morning Buddhist Inspiration - 7/22/2009


To meditate does not mean to fight with a problem. To meditate means to observe. Your smile proves it. It proves that you are being gentle with yourself,that the sun of awareness is shining in you,that you have control of your situation. You are yourself,and you have acquired some peace.

~ Thich Nhat Hanh


Tuesday, July 21, 2009

Early Morning Buddhist Inspiration - 7/21/2009


The Buddhist Sutra of Mindfulness speaks about the meditation on the corpse: meditate on the decomposition of the body, how the body bloats and turns violet, how it is eaten by worms until only bits of blood and flesh still cling to the bones, meditate up to the point where only white bones remain, which in turn are slowly worn away and turn into dust. Meditate like that, knowing that your own body will undergo the same process. Meditate on the corpse until you are calm and at peace, until your mind and heart are light and tranquil and a smile appears on your face. Thus, by overcoming revulsion and fear, life will be seen as infinitely precious, every second of it worth living.

~ Thich Nhat Hanh


Monday, July 20, 2009

Early Morning Buddhist Inspiration - 7/20/2009


So let us decide whether you want a shelter, a safety zone, which will no longer yield conflict, whether you want to escape from the present conflict to enter a condition in which there shall be no conflict; or whether you are unaware, unconscious of this conflict in which you exist. If you are unconscious of the conflict, that is, the battle that is taking place between that self and the environment, if you are unconscious of that battle, then why do you seek further remedies?

~ Jiddu Krishnamurti


What is Nirvana?


What is Nirvana?
Discourse by Venerable Thich Nhat Hanh


In Buddhism, we speak of nirvana which is the cessation of all suffering. Nirvana, first of all, it means the cessation, the extinction of all suffering. But our suffering come from our wrong perceptions. Avidia, misunderstanding. And that is why the practice of meditation, the practice of looking deeply has the purpose of removing wrong perceptions from us. If you are able to remove wrong perceptions, you will be able to be free from the afflictions and the sufferings that always arise from wrong perceptions. You have wrong perception on yourself and on the other, and the other has wrong perception on themselves and on you and that is the cause of fear, of violence, of hatred. That is why trying to remove wrong perceptions is the only way to peace. And that is why nirvana is, first of all, the removal of wrong perceptions. And when you remove wrong perceptions, you remove the suffering... Continued

Youtube

Sunday, July 19, 2009

Oriental Sunrise - Riley Lee


Oriental Sunrise - Riley Lee
Centuries of advancements in musical instruments have bypassed the traditional shakuhachi flute, an ancient instrument formed from bamboo root and equipped with just five finger holes. Its tender, ethereal tone thus remains essentially unaltered since its distant origins in Japan, and in the hands of a master player such as Riley Lee, an Australian, it sings to our spirits with a graceful gentleness that seems just beyond the reach of modern instruments. Lee here performs a series of duets with a koto, a stringed instrument with a harp- or zither-like character (performed by a trio of players), evoking moods of serenity and calm, carrying away your concerns on the receding mists of a golden dawn. Sweet, not shrill, Lee's gentle playing (accented by the sounds of surf at the disc's opening and close) is easily accessible to Western ears and is well-suited for meditation and massage. The combined run time of the disc's four tracks exceeds 56 minutes.

FLAC Format





Sabbatical

The Buddha Diaries is going on sabbatical.

I woke up this morning--the first in a planned six-week stay at our Laguna Beach cottage--with that thought clearly in mind. I have long been postponing work on the book I have mentioned several times in these pages, and parts of which have appeared here from time to time along the way. It's time to clear the clutter of other stuff out of my mind and concentrate on that task, if I'm to ever get it done. I'm encouraged especially to get down to this by the interest of my friend Paul Gerhards at When this is, that is, and his imprint, Parami Press.

There's the accompanying fear, of course, that I will lose all those readers, whose presence here on The Buddha Diaries is often silent, but always felt and appreciated. If you include The Bush Diaries, I have rarely missed a day since that first blog started November, 2004. Even when traveling, I have managed to keep up with "the blog" on an almost daily basis. I have loved doing it, and particularly have loved knowing that my words reach people, and mean something to them. This is what a writer needs more than anything.

But the time has come to take a break. I haven't decided on a return date, since I'm unsure when the work I want to do will be finished, but I hope that you'll start watching for me again in early September. In the meantime, have a great summer. And wish me luck.

Early Morning Buddhist Inspiration - 7/19/2009


To me, then, true criticism consists in trying to find out the intrinsic worth of the thing itself, and not in attributing a quality to that thing. You attribute a quality to an environment, to an experience, only when you want to derive something from it, when you want to gain or to have power or happiness. Now this destroys true criticism. Your desire is perverted through attributing values, and therefore you cannot see clearly. Instead of trying to see the flower in its original and entire beauty, you look at it through coloured glasses, and therefore you can never see it as it is.

~ Jiddu Krishnamurti


Saturday, July 18, 2009

Early Morning Buddhist Inspiration - 7/18/2009


From these prejudices there arises conflict, transient joys and suffering. But we are unconscious of this, unconscious that we are slaves to certain forms of tradition, to social and political environment, to false values.

~ Jiddu Krishnamurti


Friday, July 17, 2009

Your Work - Buddha Quote

“Your work is to discover your work and then
with
all your heart to give yourself to it.”

- Buddha

The Adornment of the Middle Way


The Adornment of the Middle Way: Shantarakshita's Madhyamakalankara

Madhyamaka, or the Middle Way, is accepted by all schools of Tibetan Buddhism as the most profound expression, in philosophical terms, of emptiness, the true nature of phenomena. Emptiness is the basis on which the whole of Mahayana practice is founded, from the mind-training meditations on bodhichitta to the advanced yogas of tantra and dzogchen. The Madhyamaka tradition, inaugurated by Nagarjuna and dominant in India for over a thousand years, remains a vibrant force in Tibetan Buddhism. Shantarakshita's view, quintessentially expressed in the Madhyamakalankara, effects a synthesis between the Madhyamaka of Nagarjuna, the Mind-Only teachings traced back to Asanga, and the logico-epistemological tradition of Dignaga and Dharmakirti. This great work marks the final stage in the evolution of Madhyamaka and was the last major development of Buddhist philosophy in India. Composed toward the end of the nineteenth century, Mipham's brilliant and searching commentary has been described as one of the most profound examinations of Madhyamaka ever written. In presenting and defending Shantarakshita's view, Mipham throws down the gauntlet to the philosophical establishment and calls for a major reassessment of the Madhyamaka field. This challenging but rewarding text is indispensable to a balanced understanding of Tibetan Buddhist thought. This book is a core study text for both scholars and practitioners of Mahayana and Vajrayana Buddhism.

Demonoid

Uploading

Elegy (the Movie)

I'm grateful to Netflix for providing me with easy leads to movies I might otherwise have overlooked. Such was the case with Elegy, the 2008 film by Isabel Coixet, based on Philip Roth's short novel, The Dying Animal, which I might have missed entirely, and that would have been a shame. I think it's a terrific piece of work, well worth the watching.

The story, frankly, is not a startlingly new or original one: aging academic, David, (Ben Kingsley,) more in touch with his libido than his heart, falls for Consuela, a stunning student, 30 years his junior (Penelope Cruz!) and gets in touch with all those difficult feelings he never knew he had. His closest friend and confidant, George, (Dennis Hoppe
r) tries to talk sense into him, but he's a goner. Subplot: an estranged middle-aged son (Peter Sarsgaard) with whom he finally, through near-tragedy, finds common ground. So it's all about age and dying, love and sexuality, fathers and sons and friends and lovers, in short, the vulnerability of the human heart...

I know, it all sounds a bit hackneyed. What makes it a truly engaging and touching story is the quality of the acting. Ben Kingsley and Penelope Cruz manage to create--and, harder, to maintain the spark of what the movie folk call "chemistry"; their passion seems real, at once tender and painful, edgy and profound. It doesn't hurt, of course, they they are both terrific-looking people, whose character shines brilliantly in their faces, and particularly their eyes. Their love scenes are frank, courageous, compelling, and erotic. And once they get past the bodies--and David past the difference in their ages--they find something very much like love.

As Consuela, Cruz manages to hold her own both as a character and an actress with the powerful Ben Kingsley. A young woman of extraordinary beauty, she exudes a power of her own that transcends her physical attributes. Unwilling to be David's toy or "mistress," she falls in love slowly, with mindful circumspection and full awareness of her own wants and needs; and when her great challenge comes, as it does, she handles it with equal measures of grief and grace, showing herself to be more mature, in important ways, than her older lover.

What a great role for Dennis Hopper, too--and how beautifully he plays it! As the poet-friend and academic colleague of Kingsley's character, George acts--surprisingly, perhaps, for Hopper--as what the French call the "raisonneur," the voice of reason, paled by the towering passion on the other side. He keeps trying to reel David back in to the safer path of sanity, to change him back into the simple, randy bed-hopper with whom he, George, had always been comfortable in the past, because in bed-hopping there is no risk, no emotional investment, no potential loss. I'll refrain from revealing the powerful even shocking climax in the relationship between these two aging charmers. Suffice it to say that this one scene alone is worth the price of the ticket.

The father-son relationship is also played out well, resolving itself in another turn of the plot that brings two together in a way that has eluded both of them since David abandoned his wife and young son years before. The son's anger and frustration, his struggle with self-pity and the need for his father's love, are delicately played by Sarsgaard opposite the domineering, seemingly uncaring Kingsley. It's only when they discover common ground that they can come to a still tentative peace between them.

In all, this "Elegy" is a satisfying and convincing human drama, one that engages us in the lives of its participants with very human feelings for their various predicaments and challenges. If you haven't yet seen it, I'd encourage you not to miss it.

Early Morning Buddhist Inspiration - 7/17/2009


The fact is there is nothing that you can trust; and that is a terrible fact, whether you like it or not. Psychologically there is nothing in the world, that you can put your faith, your trust, or your belief in. Neither your gods, nor your science can save you, can bring you psychological certainty; and you have to accept that you can trust in absolutely nothing. That is a scientific fact, as well as a psychological fact. Because, your leaders - religious and political - and your books - sacred and profane - have all failed, and you are still confused, in misery, in conflict. So, that is an absolute, undeniable fact.

~ Jiddu Krishnamurti


Thursday, July 16, 2009

Obama: Part V

I promised yesterday that I'd be writing more about a painting that startled me in our friend Lynne McDaniel's studio. Here it is:



(This past Monday, by the way, was the 30th anniversary of Jimmy Carter's malaise speech, in which he--modestly, but unwisely, as it turned out--itemized a long list of complaints about his presidency from Americans of all walks of life, invited to Camp David to meet with the President precisely for that purpose. In the speech, he identified the malaise of which he spoke as "a fundamental threat to American democracy... a crisis of confidence. It is a crisis that strikes at the very heart and soul and spirit of our national will. We can see this crisis in the growing doubt about the meaning of our own lives and in the loss of a unity and purpose for our nation. The erosion of our confidence in the future is threatening to destroy the social and political fabric of America." It seems a good time to revisit those remarks.)

Lynne's double portrait of Barack Obama and Jimmy Carter (enlarge for full effect!) is called "Through Their Eyes." Presciently, it was done long before Obama's presidential campaign and election, and shortly after the famous speech he gave at the 2004 Democratic convention--the one that turned the nation's head in this young man's direction. Lynne used photographic images for her picture. A part of the reason it's so striking is that she made one significant change: Jimmy Carter has Obama's penetrating dark brown eyes, while Obama has been gifted with Carter's blue ones. Hence, of course, the title.

I think it's an extraordinary and challenging piece of work--and not only because the painting itself is so terrific. It is. Lynne has done an excellent job with the likeness; the quality of her line and brush-work needs no comment from me. Much more than that, however, the painting is rich in both profound and provocative associations--which is the reason that I felt the need to share it. It deserves a wider audience than the one it has thus far received, hanging quietly on the artist's studio wall. (Please feel free to forward the image, with or without this post.)

Let's talk about those profound associations first--the notion of two men from astonishingly different backgrounds who came to share the same destiny as the world's most powerful leader. The painting is a study of that power from two points of view--its devastating after-effects on the face of the older man, and its emanation in the form of hope and promise on the younger. It's a study, also, that tells us much about the psychology of the men themselves, and about the aging process; we read much in this simple juxtaposition of images about the physical effects of age on the human face, and the different kind of energy projected by two men at different stages of their life. It's also, profoundly, as a study of black and white America, about the inexorable process of historical change. The picture confronts us, unambiguously, with a reality that has changed radically for the better in the past forty years. Lynne's painting seems to assert that black and white are, quite simply and inarguably, equal.

Provocatively, though, the painting raises the frightening specter of the "Carterization" of Obama. I recall, as perhaps you do too, the hopes that we liberals and progressives pinned on Jimmy Carter when we elected him in 1977, after the bitter taste of the Nixon years and the interregnum of Gerald Ford. We wanted radical change, we wanted a more transparent and responsive government, we wanted an end to war and partisan strife, we wanted principled compassion and justice to prevail over heartless greed and power-mongering, and we projected the responsibility for all these needs onto this one, all-too fragile figurehead who could never have hoped to match them.

When he failed to meet up with our expectations and projections, we began to think of him as weak and ineffectual--and projected those qualities, in turn, on the man in whom we had vested so much power. The eventual failure of his administration was, to my way of thinking, as much ours as his. The electorate, childish as ever, began looking to Ronald Reagan for the daddy figure we seemed to need to take care of us, and to compare Carter's image unfavorably with the skilled performance of that screen actor, whose illusion of strength we were eagerly taken in by. (I say "We..." Not me, of course! It's never ME. Is it?) Sure, Jimmy Carter had his failings. He was, in reality, far from the perfect model of strength and manly authority we longed for. So we settled for the illusion instead.

It's my fear that we could easily end up doing the same with Obama. When I wrote the original essay in this series, "When Do We All Grow Up?" it was this fear I had in mind. Once more we have a President who is far from perfect and far from all-powerful. He needs the help and support of millions of others if he's to achieve those things he promised to strive for. Once more we are beginning to perceive--and name--the man's weaknesses, and our points of disagreement. And once more we risk creating the reality we project on him. Government, as I've tried to say, is a contract, depending as much on a willingness to be governed as to govern. I've tried to say that, certainly, yes, it's our job to criticize and hold our man's feet to the fire. We must do so, though, with a clear understanding of the risks involved in each of us insisting on the achievement of our own particular goals at the cost of the substantive change we need--a change that can only be arrived at through deliberate means. It's a big ocean liner we're all sailing on, to use that old cliche; it won't be turned around with a quick or easy spin of the wheel.

Obama is not Jimmy Carter. I happen to think he's made of tougher, less relenting steel. I don't see him offering a "malaise speech", like Carter's exercise in self-deprecation, in order to mitigate his falling poll numbers. But the juxtaposition Lynne McDaniel offers us in her painting is certainly striking, poignant--and more than a little worrisome.

(For an interesting historical reminder of the Carter speech and its ripple effects, see this book review in yesterday's New York Times.)

Early Morning Buddhist Inspiration - 7/16/2009


.. Human beings, each one, right through the world, go through great agonies, the more sensitive, the more alert, the more observant, the greater the suffering, the anxiety, the extraordinary sense of insoluble problems.


.. And the point is, is it possible for the mind to be totally free from suffering and yet not become indifferent, callous, irresponsible, but to have that passion, the intensity, the energy that freedom brings, freedom from suffering.

~ Jiddu Krishnamurti


Wednesday, July 15, 2009

Zen (2009 )


Zen (2009 )
Directed by Takahashi Banmei, Zen is an elegant and fascinating look into the life and times of 13th-century monk Dogen, founder of the Soto sect in Zen Buddhism. Offering a fairly faithful depiction of what is known of the monk's life, the film follows Dogen, handsomely portrayed by kabuki actor Nakamura Kantaro, from an orphan child inspired by his mother's dying words to a young monk wandering in China where he experiences his awakening. After reaching enlightenment, he returns to Kyoto to spread his teachings of silent meditation, attracting both dedicated followers and fierce detractors who cast him as a heretic. In his travels and teachings, Dogen encounters many different people. Some guide him, some follow him, and some test him, but all become crucial figures in his spiritual journey of peace and meditation. Zen's supporting cast includes Kora Kengo (Snakes and Earrings) as a young monk gone astray, Uchida Yuki (Welcome to the Quiet Room) as a prostitute and aspiring nun, and Fujiwara Tatsuya (Death Note) as the shogun haunted by inner ghosts.

Asian DVD Club

RS Links (Try a program like JDownloader for managing all those links.)
http://rapidshare.com/files/250553587/zen09.part12.rar
http://rapidshare.com/files/250544903/zen09.part11.rar
http://rapidshare.com/files/250544901/zen09.part10.rar
http://rapidshare.com/files/250401801/zen09.part09.rar
http://rapidshare.com/files/250401798/zen09.part08.rar
http://rapidshare.com/files/250360785/zen09.part07.rar
http://rapidshare.com/files/250360784/zen09.part06.rar
http://rapidshare.com/files/250320671/zen09.part05.rar
http://rapidshare.com/files/250262213/zen09.part04.rar
http://rapidshare.com/files/250262209/zen09.part03.rar
http://rapidshare.com/files/250227929/zen09.part02.rar
http://rapidshare.com/files/250204373/zen09.part01.rar

A Celebration


Our artists' group met last night for an end-of-season celebration at the home and studio of Lynne McDaniel, one of our members--a beautiful hundred-year-old craftsman house in the Altadena hills.





As usual, though we had the camera with us, I was not picture-conscious enough to bother with exterior--or even much in the way of interior pictures.  I wish I had paid more attention to the architecture than the furniture, but perhaps the above will give a flavor...

We enjoyed hors d'oeuvres in Lynne's studio--I'll have more to say about one of her paintings in a later post--and an alfresco potluck dinner with extraordinary artist-designed cupcakes by Midge Lynn...


... as delicious, I have to say, as their outward appearance.

We will not be meeting over the summer months, but will start again as usual in September.  Ellie and I have lost track of the number of years we have been working together with this small, select, and ever-evolving group, but some of our number say it is at least fifteen.  We have certainly treasured--and continue to treasure--the experience, and the artists who join us appreciate the benefits of a shared community of interests and, always, conversation that takes us thoughtfully, often deeply, into matters of mutual concern.  

It is easy for an artist--or a writer, for that matter--to get isolated in the studio, particularly at a moment in our history when so many truly talented people are starved for the response their work deserves. I have always disagreed with those who say that we make art primarily for ourselves. It is an act of self-examination, for sure. But making art--writing--is also an act of communication. And in a world where communication has been so thoroughly commercialized, those who get seen and heard are mostly those who are ready and able to get swept up in the march of commerce. All the more need, then, for communities like ours, where we can show and speak with the assurance that we will be both seen and heard.   It's a necessary part of the creative process.